EPISODE EIGHTEEN :: Georgie Nicolson of Tikki Knits - Supporting Local Producers, Large Scale Community Textile Art, Becoming a Knitwear Designer

The Close Knit podcast showcases artists, designers, and makers from all over the world who work with fibre in its many forms. Knitters, spinners, sewers, textile artists - all will be celebrated on the Close Knit podcast.

In Episode 18 of the Close Knit Podcast, I spoke to Georgie Nicolson of Tikki Knits, a knitwear designer and lover of local Australian wool. Georgie takes me through her journey of sourcing wool, a serendipitous stop at the birthplace of Polworth sheep - Tarndie farm, and what types of fibre she particularly enjoys working with. We discuss her work with SEAM - (Sustainable Environmental Art Movement) on WARM - a large scale collaborative community knitting project making a statement about climate change, and what a unique and interesting challenge it was to create a textile representation of a painted landscape. Georgie and I talk about her transition into knitwear design and how her children influence her design aesthetics. 

A huge thanks to this week's episode sponsor - Wool Gathering. Wool Gathering is an incredibly special event happening Thursday 4th May-Sunday 7th May 2017 in Victoria, Australia - held at the historic and scenic Tarndwarncoort (birthplace of the breed Polworth). At Wool Gathering, participants will have the chance to take classes in wool based crafts like knitting, crochet, spinning, tapestry weaving, Saori weaving, needle felting, wool embroidery, and yarn dyeing. For more information, check out Wool Gathering's website here - tickets for this event go on sale on the 12th Nov 2016 .

Georgie schools me on some of the history behind the Australian wool scence. We discuss the CSIRO wool mill that closed down in around the 80s (? we weren't sure of the exact timing) that used to spin wool for lots of local producers, but was defunded. Georgie also informs me that Nundle is the only commercial mill creating wool yarn that's completely sourced and made in Australia.

We go on to talk about her involvement in WARM - a large scale collaborative community knitting project making a statement about climate change. Georgie had the incredible task of translating a painting into a functional artwork made of knitted objects. Incredibly, and beautifully - everything in the project is a useful object, everything has a life beyond the project. 

Georgie really got back into craft with the birth of her first child, and though she's been designing for a while, she's only recently felt comfortable calling herself a "designer". She does a lot of designing for her children, and as they grow, her patterns also change. 

 

Georgie's biggest bit of advice:

"don't be afraid to just do what you want to do, and take your own approach, don't be afraid to make mistakes... Don't be afraid to be yourself... There is so much honesty and integrity that comes through when you are yourself" 

People/ Things we mentioned in the podcast:

  • White Gum Wool : documenting her shepherding on instagram now - Georgie highly recommends a follow

  • Tarndie : birthplace of polworth, amazing farm, location of Wool Gathering 2017! 

Find Georgie: website | instagram | facebook 

Want more? 

Like what you're hearing? 

Awesome! I'm glad you've found your way to this podcast. Please feel free to subscribe, leave a review on iTunes (this makes all the difference to reaching more people!) and share with your loved ones. Thanks for tuning in.

Until next time! 

xx

Ani

 

 

 

EPISODE EIGHT :: Catherine Wendland - Knitting for the Love of Good Wool, Small Scale, Local Production, and Staying Grounded in a World of Social Media

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The Close Knit podcast showcases artists, designers, and makers from all over the world who work with fibre in its many forms. Knitters, spinners, sewers, textile artists - all will be celebrated on the Close Knit podcast.

This week (ep. 8) of the Close Knit Podcast, I chat to Catherine Wendland, a knitter based in the Pacific Northwest. Catherine expresses her undying love for wool and the many amazing qualities it possesses, and how incredible the fibre community can be. She also reveals some thoughts on the not-so-nice side of social media and the competition it can spark.  At the same time, Catherine has greatly enjoyed the social aspect of the fibre community and relishes in sharing her finished objects with other hand makers. 

 

Catherine explains her newfound approach to making - a more mindful approach that considers what she truly needs in her wardrobe and focusing in on the process. She's also incorporating more knits for other folks in her life, straying from the "selfish" knitting she started out with. 

These (picture below) are the knitting patterns Catherine designed in high school - like we were chatting about on the podcast - aren't they awesome?! 

People/ Things we mentioned in the podcast:

Find Catherine: instagram

Want more? 

Like what you're hearing? 

Awesome! I'm glad you've found your way to this podcast. Please feel free to subscribe, leave a review on iTunes (this makes all the difference to reaching more people!) and share with your loved ones. Thanks for tuning in.

Until next time! 

xx

Ani 

 

 

 

EPISODE SEVEN :: Gina Rockenwagner of Poppy and Pima - Serendipitous Job Offers, Knitwear Design and Improvisational Quilting as a Creative Outlet

Gina with the women who work for Poppy and Pima

Gina with the women who work for Poppy and Pima

The Close Knit podcast showcases artists, designers, and makers from all over the world who work with fibre in its many forms. Knitters, spinners, sewers, textile artists - all will be celebrated on the Close Knit podcast.

This week's episode has a special gift- a 25% discount to Caitlin Hunter's Pattern Shop - Boyland Knitworks. Caitlin lives on a farmstead in rural Oregon with her husband, 3 little boys and a pile of assorted animals. When she’s not herding animals (or children) she’s designing beautiful knitting patterns and embracing slow fashion through her use of sustainable fibres and naturally dyed wool. Caitlin’s patterns cover everything from simple drapey jumpers to lace worked shawls and lovely fair isle beanies. To get 25% off all of Caitlin’s knitting patterns, check out her ravelry shop and enter CLOSEKNIT at checkout.  A big thank you to Caitlin for offering this special gift to podcast listeners. 

In this episode, I speak to Gina Rockenwagner - owner of Poppy and Pima, knitwear designer, and quilter. Gina chats to me about her experimental approach to quilting, and how she uses quilting as an outlet from designing knitwear to fit a human body. 

one of gina's quilts

one of gina's quilts

Gina clears up my confusion on what "baby alpaca" actually is, as I, embarrassingly, don't actually know what it is! We chat about Gina's entrance into the knitwear design world, and why she thinks of knitting as the original 3d printer.

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People/ Things we mentioned in the podcast:

Find Gina: website | instagramfacebook 

Want more? 

Like what you're hearing? 

Awesome! I'm glad you've found your way to this podcast. Please feel free to subscribe, leave a review on iTunes (this makes all the difference to reaching more people!) and share with your loved ones. Thanks for tuning in.

Until next time! 

xx

Ani 

EPISODE SIX :: Meghan Navoy of A Wool Story - Zero Waste Knitting and Sustainable Fibre Revelations

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The Close Knit podcast showcases artists, designers, and makers from all over the world who work with fibre in its many forms. Knitters, spinners, sewers, textile artists - all will be celebrated on the Close Knit podcast.

In Episode 6 of the Close Knit Podcast, Meg schools me on the sustainability of alpaca, we chat about how she got into knitting, her time at the Fashion Institute of Technology (FIT), and how her dad is taking after her in striving for zero waste (well, kind of). Meg and I share a lot of laughs on this episode, over her time on an alpaca farm, among other fun stories she shares. 

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People/things we mentioned in this podcast

  • Meg blew my mind when she explained to me why alpaca is more sustainable than other fibres, including wool. 
  • Instead of going to a music festival, Meg visited an alpaca farm and spent the money she saved on a ticket on alpaca (as one does): Waldron Grove Alpaca Farm
  • We chat about Meg's friend who founded this company - Evernu - though we got a little bit of info wrong in the podcast- they don't actually recycle mixed fibres, because it's really really hard.  
  • Meg introudces me to a thing called "warp knitting" which she learnt about at FIT - it's mainly used for shows and things of that sort. 
  • Things and people Meg finds inspiring and reckons we all should be following? 
    • quince and co, marlee grace over at have company, camellia fiber co, karen templer of Fringe Association, and the ever- present on this podcast :), maryanne moodie

 

EPISODE THREE :: Laura Taylor of School of Hard Knots - Balancing Work and Craft, Digging Deeper and Sticking With It

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The Close Knit podcast showcases artists, designers, and makers from all over the world who work with fibre in its many forms. Knitters, spinners, sewers, textile artists - all will be celebrated on the Close Knit podcast.

This episode I met up with Laura Taylor of School of Hard Knots. I met Laura through my usual creepy Instagram lurking, and now we hang out and have natural dyeing experiments. I'm so inspired by Laura's modern approach to crochet and knitting, and I love her easy-to-follow crochet videos. 

 

People/ Things we mentioned in the podcast:

Find Laura: website | instagram | facebook 

Want more? 

Like what you're hearing? 

Awesome! I'm glad you've found your way to this podcast. Please feel free to subscribe, leave a review on iTunes (this makes all the difference to reaching more people!) and share with your loved ones. Thanks for tuning in.

Until next time! 

xx

Ani